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Durga Saptasati ( 2 Vols. Set) HB
  • दुर्गा सप्तशती: Durga Saptasati ( 2 Vols. Set)

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    Durga Saptasati: Sanskrit Text with Seven Commentaries and Revised English Translation  ( 2 Vols. Set)

     

    The Durga Saptasati or Devi Mahatmya is a sacred and significant text in Sanskrit literature. It is very dear to Hindus and is chanted every day by many as a favorite scripture. The text contains 700 verses, including even one-line sentences that are not strictly verses. It deals with the story of Seven Satis or Devis: Brahmi, Mahe-svari, Kaumari, Vasinavi, Varahi, Indrani, and Cham-nuda. The name by which the Supreme Goddess is referred to in the Durga Saptasati is Chandi or Chandika.

    SKU: 9788180902901
    • PRODUCT INFO

      EDITOR डा. एन. सी. पंडा: (PROF. N. C. PANDA)
      PUBLISHER

      BHARATIYA KALA PRAKASHAN

      LANGUAGE SANSKRIT-ENGLISH
      EDITION 2nd
      ISBN 9788180902901
      PAGES 796
      COVER HARDCOVER
      OTHER DETAILS 8.5 INCH X 5.5 INCH
      WEIGHT 1.30 KG
      YEAR 2012, 2024

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    • AUTHOR INFO

      PROF. N.C. PANDA

      Prof. Narasingha Charan Panda (Prof. N.C. Panda), Associate Professor in Sanskrit, Vishveshvaranand Vishvabandhu Institute of Sanskrit and Indological Studies (V.V.B.I.S. & I.S.), Panjab University, Sandhu Ashram, Hoshiarpur, is well-known in the field of Indological Research, who combines in him a comprehensive understanding of scholarly issues, impartial judgment and an exemplary clarity of expression.
      After Graduation (B.A. Hons in Sanskrit) from Utkal University, Bhubaneswar & Post-graduation & M.Phil., degrees from Kurukshetra University, he obtained a Ph.D. Degree in Vedic Studies from Punjab University, Chandigarh. In addition to these, Dr. Panda is also qualified in other Indological branches, like Buddhism (Acharya), Kashmir Saivism (M.Phil.), Indian Philosophy (Acharya), and C.C. in German.
      Presently, Prof. Panda is the Associate Editor of Vishveshvaranand Indological Research Journal. As an ardent scholar and a successful researcher of Indology, he has contributed several learned Research Papers.

    • FOREWARD

      Durga Saptasati is known as a religious and popular text in India. It describes the victory of the Goddess Durga over the demon MahisasuraDurga Saptasatl or Devi  Mahatmya or Saptasatl Candi is a part of the Markandeya Purana and contains 700 verses. A ritual reading of this text is part of Navaratri celebrations in honor of the Goddess. Devi Durga portrayed as Mahisasura Mardini, i.e. slayer of the buffalo demon is being worshipped by the devotees of Sakti in India and Abroad. In India, especially the people of Eastern India worship Her with great devotion and fervor.

      Durga Saptasati has been translated into most Indian languages. There are several commentaries on this holy text. The most important and old commentaries on this text are Durga PradipaGuptavatICaturdhariSantanavtNagojibhatttJagaccandra candrika, and Damsoddhara. These famous commentaries are quite helpful to understand the original verses/texts of Durga Saptasati.

      Dr. Narasingha Charan Panda, Associate Professor, V.V.B.I.S. & I.S., Panjab University, Sadhu Ashram, Hoshiarpur, has got a good experience in Research Methodology and editing of Sanskrit & Buddhist texts, Research Journals, and articles by associating himself with various Research projects in different Institutions.

      It is a matter of great pleasure that Dr. Panda has edited Durga Saptasati with its above seven commentaries along with the English translation in a proper way. The book is also equipped with a general Index, Sloka Index, and Glossary. It will certainly create interest in both Indologists as well as general readers.

      I congratulate Dr. Panda, a serious scholar, gifted with an unassuming nature, on this publication. I trust, Indology, especially Sanskrit Studies shall be further enriched by other works from his pen in the future.

      Lastly, I pay deep obeisance to the Divine Mother for Her kind Blessings, as taniyamsam pamsum tavacarana panke ruhabhavam

      virinicih samcinnvan viracayati lokanavikalam

      vahatyenam saurih kathamapi sahasrena sirasam

      harah samksudyainam bhajati bhasitoddhulanavidhim

       

    • INTRODUCTION

      Puranas are known as the fifth Veda in Indian culture.

      The aim of Puranas is to acquaint the general mass with the teachings and philosophy of the Veda which are to be adopted as the principle and thus achieve the goal of life. As Vedavyasa says itihasa puranabhyam vedam samupabrmhayet. So, for the complete study of the Veda, Puranas are indispensable Vedic study was confined to a limited intellectual group. But, the Puranas were open to all. Various Puranas provide us valuable information about the social religious and cultural life of ancient and medieval India. It is noteworthy that despite exaggerations, myths and legends, some of these works throw considerable light on the early political history of India.

      The Eighteen Maha Puranas enunciates the meaning and the implication of vice and virtues in our life in various ways. They elaborately describe the aim of our life with a view to making our life more virtuous and fit to achieve the goal of four Purusarthas, i.e. dharma, arthakama and moksa. Hence, the Puranas explain the real truth and value of life and thus serve the purpose of welfare of mankind in their own way.

      The Puranas are a sort of encyclopedia endeavouring to deal with the histories of five independent subjects, viz creation and recreation of the universe, gods, reigns of fourteen Manus, and the kings of the solar race as Rama and others, and of the lunar race as Pandavas and others. Similarly, are mentioned the dynasties of the NandasMauryasGuptas and others. In no other country or civilization such gigantic attempt was ever made to threat of so many subjects in such single volumes.

      Besides, the Puranas are a vast store house of authentic materials supplying themes or many works of classical San skrit, prose, poetry, and drama. They also contain useful geo graphical information and also mention different cult of worship, vratas and tirthas. In addition to these, Puranas also contain the knowledge of various branches of science, viz. Medical science, Astronomy, Botany, Chemistry, Vastu, and Architecture.

      Among the Eighteen Maha Puranas, ten are termed as Saiva Puranas, four Brahma Puranas, two Sakta Puranas and four Vaisnava Puranas as mentioned in the Kedara Khanda of Skanda Purana.The SaivaBhavisyaMarkandeyaLingaVarahaSkandaMatsyaKurmaVamanaBrahamanda are the  BhagavataNaradiya and Garuda are four Vaisnava Puranas whereas Brahma ten Saiva Puranas Visnu, and Padma describe the glory of lord Brahma and hence are called the Brahma Puranas.

       

    • INTRODUCTION

      Among the Eighteen Maha Puranas, ten are termed as Saiva Puranas, four Brahma Puranas, two Sakta Puranas and four Vaisnava Puranas as mentioned in the Kedara Khanda of Skanda Purana. The SaivaBhavisyaMarkandeyaLingaVarahaSkanda, Matsya,  KurmaVamanaBrahamanda are the ten Saiva Puranas Visnu,  VisnuBhagavataNaradiya and Garuda are four Vaisnava Puranas whereas Brahma and Padma describe the glory of lord Brahma and hence are called the Brahma Puranas.

      The Markandeya Purana is one of the oldest Puranas. It is a very popular and most important work of the Indian. tradition. This Purana has 137 chapters. A study of the treatise reveals three stages of its developments. Chapters 1 to 44 are represented as narrated by four wise birds living Vindhya Mountain. Chapters 45 to 80 nominally a dialogue between Jaimini and Dharma birds, but in reality the interlocutors are Markandeya and his pupil Kraustuki who starts the real discussion on the Puranic content s. Chapters 81 to 93 constitute the Durga saptasati or Devi Mahatmya, popularly known as Candi or Durga Saptasati . Presently, Durga saptasati is well recognized as a separate sacred text like Bhagavad Gita and it is being Chanted everyday by a number Hindus, i.e. the worshippers of Devi Durga. In order to satisfy the Supreme Goddess Durga the devotees used to chant the sacred verses of this holy text.

      It is known that Devi Durga is the Divine Supreme Power. She is the mother who creates the world and all creatures. Sakti is symbolized as a women or the mother. In the Mahanirvana Tantra , Sakti has been addressed as Kill, Tarini, Durga, Sodasi, Bhuvanesvan, Dhumavati, BagalaBhairaviChinnamasta, Annapurna, Vagdevi, Kamalalaya  and Siva. In the Saundaryalahari , Sakti has been called ArunaParvatiCandiUmaBhavani, Sati, Samaya, besides JananiMatr, Devi and Amba. In the Lalita Sahasranama, Sakti has been named as Kali, KaraliKalavati, Kamala and Kalidarpaghni. These names have occurred due to their various functions, qualities and forms.

      Lord Siva is commonly said to be the male principle and Sakti is the female principle. As a matter of fact they are neither male nor female, nor are they neuter. The person, who worships the wisdom (jnana) aspect of reality commonly called the male principle, is a Saiva and he worships the power aspects, or the female principle, is called a Sakta. When Lord Siva is worshipped, his consort is also worshipped, as these two are inseparable. For the same reason when Sakti is worshipped, Siva is also worshipped. Sakti is an imminent principle of Siva. Without Sakti, Siva is inactive. Devoid of Sakti, Siva would be insentient (jada) and, consequently, as good as dead (sava). Siva knows Himself only through His Sakti. But Sakti also depends upon Siva for its functioning. Both are essentially dependent upon each other. Sakti is symbolically represented as the spouse of Siva and hence she is the immanent principle of Siva.

    • CONTENTS

      Vol. I

      Contents

      Foreword

      Ix

      शिव संकल्प

      Xi

      Acknowledgements

      Xii

      Introduction

      Xiii

      उपोदघात

      1

      Kavaca of the Goddess (Devi)

      26

      Argala of the goddess (Devi)

      44

      Kilaka of the Goddess (Devi)

      52

      Text, Commentary and Translation

       

      Chapter I

      93

      Chapter II

      105

      Chapter III

      236

      Chapter IV

      329

    • CONTENTS

      Vol. II

       

      Chapter V

      337

      Chapter VI

      418

      Chapter VII

      440

      Chapter VIII

      462

      Chapter IX

      517

      Chapter X

      548

      Chapter XI

      574

      Chapter XII

      636

      Chapter XIII

      668

       Appendices:

       

      Three Secrets of the goddess (Rahasya Trayam)

      696

      Pradhanika Rahasya

      693

      Vaikrtika Rahasya

      704

      Murti Rahasya

      715

      Glossary

      722

      General Index

      744

      Sanskrit Sloka Index

      748

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