top of page
Carita - Kavyas in Modern Sanskrit Literature
  • Carita - Kavyas in Modern Sanskrit Literature

    ₹450.00Price

     

     

    Carirakavya in modern Sanskrit Literature has a long tradition that starts from Adikavya Ramayana of Valmiki. In the Morden age also the rich tradition of Caritakavya is Continuously flourished to date. The heroes of the different fields of Indian Society are used to depict in Morden Sanskrit Carutakavya by contemporary Sanskrit poets. It will critically evaluate it. The present thesis is divided into eight chapters. The list of modern Carita kavya given in the appendix is adding the utility of the thesis.

     

    SKU: 9788180903465
    • PRODUCT INFO

      AUTHOR DAXA PUROHIT
      PUBLISHER BHARATIYA KALA PRAKASHAN
      LANGUAGE ENGLISH AND SANSKRIT
      EDITION 1st
      ISBN 9788180903465
      PAGES 250
      COVER HARDCOVER
      OTHER DETAILS 8.5 INCH X 5.5 INCH
      WEIGHT 430 GM
      YEAR       2017

      COUNTRY OF     

      ORIGIN

      INDIA                                                      
    • AUTHOR INFO

      DAXA PUROHIT

      Dr. Daxa Purohit temporary lecturer, Department of Sanskrit, Pali and Prakrit, Faculty of Art, The Maharaja Shivajirao University of Baroda.

    • PREFACE

      Among the various types of Sanskrit poetry, Caritkavya has its own identity and tradition as well. Caritakavya has a long tradition starting from Adikavya Ramayana of Valmiki. In modem age also the rich tradition of Caritakavya is continuously flourishing to date. The heroes of the different fields of Indian society are used to depict in modem Sanskrit Caritakavyas by contemporary Sanskrit poets. It will critically evaluate it. The present thesis is a goal effort in this direction. The thesis is divided into eight chapters. The list of Modern Carita kavya given in the appendix is adding the utility of the thesis.

      Chapter: 1 contains the introduction to the Caritkavyas. It explains the main features of Carita Kavyas and analyses the reasons behind its growth of Carita kavyas. Chapter: 2 presents the critical survey of the Caritakavyas starting from the Buddha capital of Asvaghosa. The candidate also includes the Jain tradition of Caritakavyas. Chapter: 3 depicts the important features of some notable Mahakavyas of the 19th century, like Ksatrapati -Caritam, etc. Chapter: 4 deals with the Khandakavyas of modem Sanskrit. It also analyses and evaluates the Khandakavyas of the Modern period. Chapter: 5 deals with the Laghu Caritakavyas. It depicts the salient features of Modern Laghu Caritakavyas and also traces out the tradition of modern Laghu Caritakavyas, Chapter: 6 deals with the Caritakavyas on celebrated women of all times, like Ahalya, Stta, Queen Victoria, Indira Gandhi, etc. The very approach of the researcher is praiseworthy. Chapter: 7 contains an appraisal of all Carita Kavyas selected for this study.

    • FOREWARD

      It gives me great pleasure to write a foreword to the book of Dr. Daxa Purohit, Temporary lecturer, Department of Sanskrit, Pali and Prakrit, Faculty of Arts, the Maharaja Sayajirao University, Baroda entitled Caritakavyas in Modern Sanskrit Literature: A Critical Survey. This work was originally prepared as a thesis under my guidance and was submitted to the M.S. University of Baroda, for the degree of Ph.D in 2006. This survey, to the best of my knowledge, was conducted for the first time on the biographical literature in Sanskrit with special reference to the Sanskrit literature of the modern period. The thesis was thoroughly revised and edited for publication. The book will be very much useful to researchers and students interested in modem Sanskrit literature. It is an important contribution to the field of modem Sanskrit literature. I wish her all the best and expect such valuable publications in the future from her pen.

    • INTRODUCTION

      Rajasekhara, the author of the Kavyamimamsa holds the view that literature is of two types viz. sastra and kavya. While the former is a product of prajna the latter is of Pratibha. Both are like two paths of Sarasvati, the goddess of learning. While sastra is for hard-brained people, kavya is for sukumarmatis as rightly said by Visvanatha in his Sahityadarpana. The distinctive feature of kavya is niyatikrtaniyamarahita, alhadaikamayi ananyaparatantra, navarasarucira as specified by Mammata in his Kavyaprakasa.

      The Kavya is therefore flowing like the river Ganges regularly from time immemorial. The Rgveda is the earliest kavya in the Sanskrit language. It contains some specimens of fine poetry. Most of the hymns are invocations of gods and goddesses who are personified natural phenomena with anthropomorphic traits. The Yajurveda contains sacrificial formula relating to various sacrificial rites in prose. The Samaveda is meant for chanting mantras in sacrifices. The Atharvaveda contains matters relating to magic. The Brahmanas are theological treatises dealing elaborately with the niceties of rites and rituals. Upanisads are philosophical treatises.

      K.Kunjuni Raja rightly states: "As poetry, the Rgveda reveals certain features that are not seen in the recorded remnants of other ancient civilizations. Love of nature is one such feather that is very prominent in the poetry of the Rgveda. There is no ancient nation that has developed poetic literature comparable to the poetry of the Rgveda. No nation in the ancient world that has developed rich poetry, like the Greeks, has developed any nature poetry. The Rgveda is essentially natural poetry, dealing with allusions to the familiar objects of nature like rivers, animals, and birds. Among the objects, they attracted the attention of the poets of those days.”

      He further remarks: "The authors of the Rgveda were great poets of deep vision, who could see far below the surface which alone the ordinary men see, who could vision some lusters in such depths beyond the sight of men and who could have direct communication with such powers. They sang of those illuminations in languages that were mown to the ordinary men and that could be seen in pictures and understood by ordinary men. They were the founders of the civilization of India, they developed and propagated the culture, and they guided the nation. Since they saw and realized and truth that ordinary men cannot see and understand, they understood some eternal factors in the world, and the- nation guided by such leaders developed a certain spirit that enabled the nation to survive various vicissitudes that ruined other nations. The great poets never led the nation along paths supposed to lead to certain goals beyond, promised and tempting, but at the same time unattainable in truth, abandoning the facts of the world, they also guided them clear of aimless materialism, making life noble and purposive. That is the great value of Rgvedic poetry. Here we find a balanced life, a life with a high purpose, and at the same time a life that did not look for unreal and unattainable goals.

    • CONTENTS

      Contents

        Preface  
        Contents  
        Abbriviations  
      Chapter I Introduction 1-14
      Chapter II Carita- Kavyas of Classical Period 22-57
      Chapter III

      Carita- Mahakavyas of Modern

      Period

      57-110
      Chapter IV

      Carita- khandakavyas of Modern

      Period

      111-139
      Chapter V

      Carita-Laghu-Kavyas of Modern

      Period

      149-156
      Chapter VI Carita- Kavyas on Women 159-186    
      Chapter VII

      Carita Kavyas of Modern Period: A

      Critique

      188
      Chapter VIII     Conclusion 204
        Bibliography 206
        Appendix 2015

    Related Products

    Frequently Bought

    Special Offers

    Product FAQs Q. Do you offer express shipping? A. Yes, we do have a chargeable Same-day and Next-day delivery facility available for Indian pin codes. For express shipping, please reach out through info@bkpbooks.com Q. What locations do you deliver to? A. BKPBOOKS delivers orders to all Indian pin codes and countries having diplomatic relations with India. Q. Can I return the book? A. No, All returns must be postmarked within Five (5) days of the delivery date. All returned items must be in new and unused condition, with all original tags and labels attached. To know more please view our return policy. Q. What is the Handling & delivery charge? A. Handling and delivery charge is the sum of acquiring the book from the remote publisher to your doorstep. Q. I accidentally entered the wrong delivery address, can I change the address? A. Delivery addresses can only be changed in case the order has not been shipped yet. In case of an address change, you can reach us at care.bkpbooks@outlook.com Q. How do I track my order? A. You can track your orders by simply entering your order number here or through your past orders if you are signed in on the website. Q. How can I cancel an order? A. An order can only be canceled if it has not been shipped. To cancel an order, kindly reach out to us at care.bkpbooks@outlook.com.

    Give Us Your Feedback

    We’d love to hear what you thought about us.

    Rate Our Services
    PoorFairGoodVery goodExcellent

    Thanks for sharing your feedback with us!

    • Instagram
    • Facebook
    • Twitter
    • Linkedin
    • Pinterest

    © 1990 - 2025 by Bharatiya Kala Prakashan, All Rights Reserved.

    bottom of page